Rhythm in art, psychology and new materialism / Gregory Minissale, the University of Auckland
| データ種別 | 電子ブック |
|---|---|
| 出版者 | Cambridge ; New York : Cambridge University Press |
| 出版年 | 2021 |
| 本文言語 | 英語 |
| 大きさ | Online resource |
書誌詳細を非表示
| 一般注記 | Summary: "In Rhythm, Music and the Brain, Michael Thaut discusses how it is common for spatial images to arise in the mind while listening to music: sound durations can express extensions and distances; rhythmic and melodic contours can express images of lines and geometric figures; vertical stacks of sound can evoke pictures of multidimensional forms and layered objects. One of the most impressive and illustrative ways to study such translations can be found in the writings and works of Paul Klee (Thaut 2005, 16). We discern rhythm primarily from movement, by recognising repeat structures (periodic structures) and through variation or differentiation. The paradox, of course, is that paintings do not move or make a sound. This is similar to the way in which music is 19 perceived as movement even though nothing in music actually moves. It may be the case that we project motor routines onto sound experienced as pulses or constants. Intervals and changes in volume and tempo may be felt as rhythmic shifts in time Includes bibliographical references and index |
|---|---|
| 著者標目 | *Minissale, Gregory author |
| 件 名 | LCSH:Art -- Psychology
全ての件名で検索
LCSH:Rhythm -- Psychological aspects 全ての件名で検索 |
| 分 類 | LCC:N71 DC23:701/.15 |
| 巻冊次 | ebook ; ISBN:9781108917216  ISBN:9781108831413 ; XISBN:9781108917216
|
| ISBN | 9781108917216 |
| URL | https://doi.org/10.1017/9781108917216 |
目次／あらすじ
類似資料
この資料を見た人はこんな資料も見ています
この資料の利用統計
このページへのアクセス回数：3回
※2021年9月12日以降